H. Moser & Cie. Makes the Hours Dance with the Pioneer Flying Hours
H. Moser & Cie.’s Pioneer Flying Hours turns time into a celestial ballet, where discs leap and orbit in a mesmerising dance.

Sometimes complication transcends the mechanics of watchmaking and becomes poetry, as if gears and discs were composing verses in motion.
With the Pioneer Flying Hours, unveiled this September, H. Moser & Cie. has created such a moment; a piece that does not simply mark time but reimagines it as a celestial dance.
This is a watch born of anniversaries. The Pioneer collection, introduced in 2015, was conceived as Moser’s all-terrain companion: elegant enough for the city, robust enough for exploration. Three years later came the Flying Hours, a daring interpretation of the wandering hours complication.
Now, in 2025, the maison unites these two chapters into a singular creation, presenting a new vision of time where each hour arrives not with a whisper but with a confident leap.

Unlike traditional watches, the Pioneer Flying Hours tells its story through discs rather than hands. Three satellites orbit a skeletonised central minutes disc, revealing numerals that jump into place with the arrival of each new hour.
The effect is mesmerising, a play of motion and stillness that feels both futuristic and deeply human.
Behind this spectacle lies the HMC 240 automatic calibre, conceived entirely in-house.

With a bi-directional winding system, a three-day power reserve, and an oscillating weight made of solid red gold or tungsten, it serves as a reminder that artistry is nothing without technical mastery.
Each component, from the escapement to the hairspring, has been realised with precision that is visible only to those who look closely; a quiet luxury for the informed eye.

The Pioneer Flying Hours is offered in two expressions, each telling a different story.

The first is a study in rarity: a limited edition of 100 pieces, encased in 5N red gold with black DLC-treated titanium inserts. Its aventurine dial conjures the immensity of a midnight sky, constellations glittering across its surface, drawing the gaze into infinite depth.
It is a watch for those who see time not as a constraint but as a cosmos to explore.

The second, in steel with a White fumé dial, embodies understated modernity. Its clean geometry and industrial chic create a sense of purity, allowing the movement of the discs to take centre stage.
It is not limited, yet it feels no less exclusive; a testament to the restraint and confidence of Moser’s design language.

What sets this piece apart is not only its visual theatre but its philosophy. H. Moser & Cie. remains one of the few truly independent Swiss maisons, producing just 4,000 watches a year.
Independence here is not an aesthetic choice; it is a way of thinking. To strip away logos from dials, to let time itself be the protagonist, to innovate without compromise; these are the values that define Moser and that resonate deeply with collectors who value substance over show.

To wear the Pioneer Flying Hours is to make a statement. It is not an obvious watch, nor one that clamours for attention. Instead, it rewards those who understand its language: the instant jump of the hour, the silent choreography of the satellites, the way aventurine or fumé can transform a dial into something beyond measure.
It is luxury in its most modern sense; intimate, rare, and deeply personal.
Ultimately, the Pioneer Flying Hours is more than a timepiece. It is an interpretation of independence, a meditation on the rhythm of life, and an invitation to experience hours as fleeting constellations of time.
In this celestial ballet, H. Moser & Cie. has not just created a watch but composed a verse in the ongoing poetry of horology.